Biography of Stanley Kubrick - 1978 Words

Stanley Kubrick was born on July 26th, 1928, in New York. He was the son of a successful Manhattan physician and a Rumanian mother. Kubrick admitted to be a lonely child, and a misfit in high school. Growing up, his parents had wanted him to become a doctor he didnt have the grades needed to get into medical school. His love of film began at an early age, when he would go to movie theaters twice a week to view the double features. He would later say of this experience: One of the important things about seeing run-of-the-mill Hollywood films eight times a week was that many of them were so bad [...] Without even beginning to understand what the problems of making films were, I was taken with the impression that I could not do a film any worse than the ones I was seeing. I also felt I could, in fact, do them a lot better. Kubrick believed that most of what happened to him in his life was by the sheerest stroke of luck. When he was 13, his father bought him a still camera, which soon made him fascinated with photography. He eventually became an excellent photographer, selling his photographs to magazines while still in high school. He was later offered a job at Look Magazine. It is only in 1951 that he made his first documentary about Walter Cartier, Day Of The Fight, which he sold to RKO for a small profit and which started his filmmaking career. This American motion-picture director and writer made many movies, most of which characterized by his dramatic visual style,Show MoreRelated Stanley Kubrick Essays1577 Words   |  7 Pagesof quarreling with your interpretation nor offering any other, as I have found it always the best policy to allow the film to speak for itself.quot; As one of the most widely acclaimed and influential directors of the postwar era, Stanley Kubrick enjoyed a reputation and a standing unique among the filmmakers of his day. He had a brilliant career with relatively few films. An outsider, he worked beyond the confines of Hollywood, which he disliked, maintaining complete control of his projectsRead MoreReview Of Stanley Kubrick s 2001 : A Space Odyssey 1591 Words   |  7 PagesSpace or 2001. Stanley Kubrick’s legendary film â€Å"2001 : A Space Odyssey† (1968) is an epic of space exploration and meditation on the possibility of extraterrestrial influence on the process of human evolution. The film is set in the near future at a time when the moon is colonised and space travel, at least around the planetary system, is quite usual. Kubrick said â€Å"2001 aspired not to the condition of a science fiction novel but to that of music† ( Baxter,1997 :215) Kubrick gave this descriptionRead More Analysis of The Shining, by Stanley Kubrick Essay4006 Words   |  17 Pagesprimary definition of horror as a painful and intense fear, dread, or dismay. It stands to reason then that horror fiction is fiction that elicits those emotions in the reader. An example of a horror film is The Shining, directed by Stanley Kubrick. Stanley Kubrick was a well-known director, producer, writer and cinematographer. His films comprised of unique, qualitative scenes that are still memorable but one iconic film in his collection of work is The Shining. Many would disagree and say thatRead MoreMovie And Scene Of The Movie Spartacus 1659 Words   |  7 Pagesthose around them. Unfortunately, most od these films were hardly true to what really happened, in which most scenes in the film were either heavily romanticised or simply totally made up altogether. The popular 1960 film Spartacus, directed by Stanley Kubrick and named after the famous slave revolt leade r of the same name, was no exception. 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Burgess’s vision has been described as â€Å"bleak and pessimistic† but his work has also been described as â€Å"comic and satiric.† His main themes were exile, colonialism, faith, lust, marriage, evil, alcoholism, homosexuality, linguisticsRead MoreEssay on The Need for Brutality in A Clockwork Orange 4668 Words   |  19 Pagesrapes them to a backdrop of Beethovens Ninth (Burgess, Orange 50-54).    Although laden with violence, the novel is not intensely graphic; abrasive episodes are softened by the use of Nadsat, a teen argot of the authors own design. As a Stanley Kubrick film, however, Orange is an immediate shocker. The lack of a linguistic cushion, as well as the necessity to show on-stage violence, propelled the flick into an intense storm of controversy (Burgess, A Clockwork Orange: A play with music). TheRead MoreBlack Humor in America2112 Words   |  9 Pages(Ruling Class, wikipedia). In the movie the main character is asked how he knows he is God and he answers by saying that when he prays, he finds that he is talking to himself. The movie is a satire that is used to poke fun at British nobility. Stanley Kubric was a black ironist who was obsessed with the hypocrisy of American society (Kubric, Columbia). He received poor grades in high school and was not able to attend college. His father gave him a camera after school and that was when he firstRead MoreEssay on The Romantic Notion of a Film Director 2217 Words   |  9 Pagesauthor contemplates the statement that the director is not the person behind the finalised idea of the film, but its involvement is merely a way to decipher the text through the spectator’s perception. Barthes states ‘†¦ the reader is without history, biography, psychology; he is simply that someone who holds together’ †¦ ‘the written text.’ (Barthes, 1977: 148) And inevitably the ‘...birth of the reader must be at the cost of the death of the Author.’ (Barthes, 1977: 148). Christopher Nolan has been